The Silence of Stone
by RC DeWinter
Title
The Silence of Stone
Artist
RC DeWinter
Medium
Painting - Digital Oils
Description
Copyright 2013 RC deWinter ~ All Rights Reserved
the silence of remorse
silence, sometimes welcome respite from the world,
is never what I want from you.
it says too much in its emptiness:
it tells me i have crawled too close to your truth, your heart,
to that which you say no living soul could understand.
i will not argue or cajole or cavil you with questions
you don't want to hear and will not answer.
you have shown me much that you hold hidden
from the eyes and ears and judgment of the world.
you have allowed me some small access to parts of you
you wish to forget but cannot.
keep your dreams - i know them; I have the inner eyes.
i only ask that you not put me in that graveyard
where so many have been buried.
i am here and will remain, honoring your trust,
silent in your silence of remorse.
~ copyright 2013 RC deWinter
Uploaded
March 14th, 2013
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Comments (5)
RC DeWinter
Hi Bruce, thank you for your extravagant kindness in taking the time not only to praise the works but also to acknowledge the relationship between them. I sincerely appreciate your interest and encouragement, old friend.
Bruce Combs - REACH BEYOND
Re poem: THE SILENCE OF STONE the silence of remorse -- This is a Fine poem, Gina, as I've grown to expect from you but don't often enough take from my limited energy and time to write down. AND it is such an enhancing coupling with the exciting fabulous painting! I think too few artists understand that sort relationship, and I'm sure I'm way at the top of the violators' list! Too often, I think, one of them seems like walking a dog on a far-stretched and unappreciated leash, attempting to link the "walker's" own purposeful business on this maneuvering activity with that truly vital purpose of the restricted, dog -- perhaps even dragged, into the "Walker's" goal: to DEMONSTRATE a mutual, rather than only alternate one-way direction (perhaps even EITHER). Each of the two items stand strong when considered only for itself and presenting its own relationship to the whole world, rather than actually being diminished if considered only as how it relates to the other; explaining details; expressing a diverse view of the same object from a different direction, adding orand diminishing one or both of them; by providing additional VERY relevant information, such as physical background, setting, or author's biographical details, especially a current state of thought and emotion -- do such practices enhance the effect(s) of the other object rather than effectively distracting from them, or even merely diluting them?